Maria La Rosa

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Sustainability Summary

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Maria La Rosa Sustainability Profile

Maria La Rosa is not currently tracking sustainability.

Sustainability Summary

  • This is an unclaimed profile. Maria La Rosa has not joined Sustainability Tracker to verify their sustainability credentials. We gathered what we could from public sources.
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Maria La Rosa presents itself as an atelier built around artisan techniques, ancient looms and other manual workmanships. Its sustainability position is framed through slow fashion, handmade production, limited editions and a preference for natural-origin materials and natural fibres such as cotton, raffia, linen, silk, chenille, cashmere and alpaca. The brand says its creative process is totally manual, far from industrial, fast and serial production, and that sustainability influences behaviour. The company also links its work to respect for the past, continuous experimentation and the preservation of Italian craftsmanship.

Maria La Rosa Sustainability Actions

Handmade atelier production

For over than thirty years, Maria La Rosa atelier has created bags, socks and accessories made with artisan techniques, using ancient loom and other manual workmanships.

Limited-edition handmade items

Fil rouge, handmade: distinctive sign of handicrafts, made without any mechanical aid, in limited editions, using Italian first quality yarns and preferring staples of natural origin.

Slow fashion approach

A totally manual creative process, which has its roots in the past but is aimed to the future. Synthesis of a continuous stylistic research of a multidisciplinary kind, not only aesthetic and technical: far from the logic of disposable and, with this, from everything that is transient, produced in an industrial way – fast and serial – chasing quantity and profit.

Natural fibres and looms

Every creation signed by Maria La Rosa has in itself a story made of memories and emotions, which becomes visual and tactile: giving shape - color and design – to objects born hand-weaving the best yarns made in Italy, among which natural fibers are preferred such as cotton, raffia, linen, silk, chenille, cashmere and alpaca. Interweaved with old wooden looms, devoid of mechanical parts and working also with other techniques such as macramé, knit, crochet and embroidery.

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